Bully's Blog

God loves fractals. He (Father) speaks (Spirit) the Word (Son) and everything He creates is made in the image of the Triune, three distinct, yet indivisible, named parts working as one.

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All the events of the Bible take place within a cosmic theatrical “stage,” one based on the structure of heaven. Like the Globe Theatre in Shakespeare’s era, an understanding of the symbolic significance of the physical elements in the literal, historical creation account in Genesis gives us incredible insights into the structure of many prophetic Bible passages and the order of many historical events. When we get to the Revelation, familiarity with this theatrical “set” is crucial to understanding its fulfilment in history.

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Peter Leithart writes:

Reflections on a class discussion earlier today about place, our connection to the ground, and gnosticism.

1. Blood and soil are “powers” that can and have dominated human life, and caused lots of human misery.
2. Jesus overcomes those powers.  We are identified by water and feast, not by blood or color or place.
3. YET (here’s where my thought is undeveloped): Jesus doesn’t just overcome and send the powers packing.  He pacifies and reconciles powers; He turns them to the purposes of His kingdom (Col 1-2).

The dilemma: How to express the reconciliation of blood and soil without falling back into the old creation, and without going fascist? How to express Jesus’ pacification of “blood” without letting it usurp the place of the water, and how to express Jesus’ pacification of “soil” without letting it usurp the place of the feast?

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