Bully's Blog

A thought from a student exam: In Mark’s gospel, as soon as the veil of the temple is torn, the centurion confesses Jesus as Son of God. It’s a crucial scene because it’s the first time any human recognizes Jesus as Son.

And the sequence of veil and confession is crucial. The temple existed to keep people away from the presence of Yahweh. Jews were called to be nearer, and Gentiles further. If the temple is open, it doesn’t fulfill this function anymore. There’s a way into the holy place, and at the very moment a way is made into the holy place the division of Jew and Gentile becomes irrelevant.

Peter Leithart, www.leithart.com

Brilliant observation. It reminded me that the firmament of Day 2 (and the 2nd Tabernacle speech, which concerns the veil) correspond to the Confession in the liturgical pattern set by the Creation week.

The Tabernacle was not only a “portable Sinai”, the mountain of God laid out across the ground, it was the cruciform Man. We see Jesus, with the Throne of God on His shoulders (the Ark – government), bread and wine in His left hand (the Table - servanthood), the ‘seven stars’ of the Lampstand in His right (dominion), and His feet on the crystal sea (the Laver – resurrection). And He is lifted up “in the air” between heaven and earth (the Altar-Land) as the Mediator Who unites God and man.

As the Ark (Moses), with arms outstretched (Bread – Aaron, and Ruling Lights – Hur), He is the prophet, priest and king Who defeated Greater Amalek at Sinai.

Available at http://www.goodseed.com/products/tab-eng-set

It even includes the Ten Words, pot of Manna and Aaron’s rod, so you can teach Word, Sacrament and Government.

See to it that you do not refuse him who speaks. If they did not escape when they refused him who warned them on earth, how much less will we, if we turn away from him who warns us from heaven? At that time his voice shook the Land, but now he has promised, “Once more I will shake not only the Land but also the heavens.” The words “once more” indicate the removing of what can be shaken—that is, created things—so that what cannot be shaken may remain. Therefore, since we are receiving a kingdom that cannot be shaken, let us be thankful, and so worship God acceptably with reverence and awe, for our “God is a consuming fire.” Hebrews 12:25-29

The context of Hebrews is AD70. The destruction of Jerusalem meant that the saints had received the kingdom (Daniel 7).

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“How is the land, is it fat or lean? Are there trees in it or not? Make an effort then to get some of the fruit of the land.” Now the time was the time of the first ripe grapes… Then they came to the valley of Eshcol and from there cut down a branch with a single cluster of grapes; and they carried it on a pole between two men. (from Numbers 13)

But Christ has indeed been raised from the dead, the firstfruits of those who have fallen asleep. (1 Corinthians 15:20)

The Tabernacle is an architectural model of the world. Each of the seven speeches of the Lord (Exodus 25-31) is introduced with a variant of the phrase “Then Yahweh spoke to Moses, saying.” The seven speeches follow the pattern of the seven days of the Creation week, and also the seven feasts in Leviticus 23.

The Table of Showbread corresponds to both the grain and fruit created on Day 3, the Feast of Firstfruits and to the Asension of Moses.

This pattern began in the garden, when after Adam’s “Red Sea” death and resurrection, he was united to his bride by Covenant. He “ascended” as covenant head of a new family, with God’s one Law.

On the table in the Holy Place were twelve loaves of bread and jugs of beer (from grain), and later, wine. Like the manna and the grapes of Eshcol, these were a promise of rest and rule with God on a future Sabbath as priest and king. Here is the last supper. As with Adam and Moses, this initial promise of wine was followed by exposure to the serpent for testing under the Law – Pentecost.

Just as the marriage covenant of Adam and Eve at Firstfruits is really a betrothal of their united marriage to God on Day 7, so this Table of Israel was a promise of future glory to the whole world at the final Sabbath feast, Tabernacles.

To use Doug Wilson’s phrase, human marriage is “manifest glory.” It is a Day 3 picture of the Day 7 rest to come at the union of heaven and earth.

The movie Superman Returns ends with some powerful iconography. Lex Luther has used a crystal stolen from Superman to create his own ‘new earth.’ Unlike Superman’s white-as-snow fortress of solitude, this is made of dark stone, Adamic earth. It rises up out of the sea and its growth threatens mankind.

Superman carries the weight of the entire sinful rock, and its growing kryptonite ‘spears’ pierce him. He ‘dies’ in the air and his fall to earth creates a ‘tomb.’ It’s worth a watch.

My point is, the idea of Christ being ‘lifted up’ is more than the bronze serpent, more than us ‘lifting Him up’ in our witness. [1]

Lifted up between heaven and earth, He was an open scroll. The bloodied lid of the Ark, the Word engraved (opened) on tablets of flesh. [2] In the sky, He was a new kapporet [3], a firmament covering to replace the old one that was ready to vanish away. He was a veil that was open, still protecting yet providing full access.

The Old Testament is full of mediators who are ‘lifted up.’ Revelation shows the Satanic new earth (Herod and Rome) thrown down from her mediatory position ‘in the air’, and the saints ascending to meet their Lord ‘in the air’ as a new mediatorial city.

a)  Christ was lifted up.
b)  Satan was thrown down.

a1)  The saints of the New Jerusalem ascended.
b1)  The compromised mediators were thrown down.

Satan is no longer the prince of the powers of the air.

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[1]  A Herod also fulfilled the bronze serpent image, eaten alive by maggots on his throne ‘in the air’ after speaking ‘like a god.’ He prefigured the dirty scavenging birds feasting on the harlot in Revelation.

[2] The Tabernacle layout is a symbolic cruciform man. Notice that Christ on the cross was beneath ‘the Name’, an open scroll containing the disputed truth of His identity. The Lord’s Name was said to dwell above the lid of the Ark.

[3]  See Peter Leithart, The Footstool of His Feet.

A worship service should follow the seven-fold Covenant pattern:

Call to Worship (Genesis – Sabbath)

…..Confession of Sin (Exodus – Passover)

……….Ascension of Praise (Leviticus – Firstfruits)

Thanksgiving & Dismissal (Judges – Booths)

This pattern also structures the Creation week (Genesis 1), the Tabernacle speeches (Exodus 25-31) and the Ascension offering (Leviticus 1).

What is interesting is that the Firmament is Day 2 (Red Sea – death), but the Tabernacle puts it at Day 6 because Adam needs resurrection (Jordan).

So, in our services, at confession of sin, the saints are in the Laver. At Communion, the Laver is in the saints. We in Him and He in us.

Moses listened on the mountain as God spoke. He digested the law, and repeated it to the next generation in Deuteronomy, partly in a song that he taught them.

Moses’ tabernacle was silent. It was misused and dismembered, then reconstructed in the ‘next generation’ as the Tabernacle of David, with music and Gentile singers.

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What gave David the right to add music, singing and dancing to the Tabernacle worship? The Tent of Moses was a place of silence.

The answer is in Deuteronomy. The Law was given to Moses at Sinai (Firstfruits), and repeated to the next generation before Israel crossed the Jordan. In between was 40 years of testing in the wilderness. God spoke at Sinai, and Moses listened in silence. But in Deuteronomy (Trumpets), it was Moses, the mediator, who “sang” the Law (Deut 31-32).

On to King David. After the continued flagrant disobedience of the sons of Eli, the Ark took itself into the ‘wilderness’ on Israel’s behalf at the hand of the Philistines, and conquered the serpent (Dagon). Besides a plunder of Philistine gold, it returned with both Jew and Gentile singers in a restructured worship that included music. The silent Tent of Moses, ready to pass away, had been broken down and prepared for incorporation into a permanent Temple built of David’s spoils. It was a bride ready for Solomon the bridegroom.

In the New Testament, following Christ’s example, the church came out of the Egypt of corrupted Judaism. She was tested in the wilderness, like Israel, with persecution and false teachers. Before the full inauguration of the New Covenant in AD70, she was presented as a bride ready for her husband, a rebuilt Tabernacle of David (Isaiah 16:5; Amos 9:11; Acts 15:16). Paul the tentmaker had completed the difficult process of stitching together a bride from both Jewish and Gentile worshippers. Purified by testing, she was a wise virgin with her lamps full of Pentecost oil. Her music was a new song accompanied by the seven Trumpets that brought the fall of Herod’s Jericho. The marriage feast of the Lamb followed, and Greater Solomon now rules the earth with His bride – a Temple built of living stones – until all enemies are under His feet.

At ascension (Firstfruits), Adam speaks and Eve listens as a people. Testing follows. At Trumpets, Greater Eve is a holy army ready to conquer. Now Eve sings.

When Solomon’s Temple replaced the Tabernacle, everything was more glorious. Among the enhancements and additions were two great bronze pillars at the entrance. One of the things the Tabernacle symbolises is a great metal man. The glorified Christ is seen in visions with legs of molten bronze, or a fiery, angelic stream that reaches down to the Altar of the earth. The Tabernacle was a portable ‘flying’ chariot of God. These two great pillars, priest and king, were its landing gear.They pictured the union of heaven and earth, and Jew-priest-Land and Gentile-king-Sea in Christ, Greater Solomon.

“I saw still another mighty angel coming down from heaven, clothed with a cloud. And a rainbow was on his head, his face was like the sun, and his feet like pillars of fire. He had a little book open in his hand. And he set his right foot on the sea and his left foot on the land…” (Revelation 10:1-2)